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Book Title: Un tram che si chiama desiderio|
ISBN 13: 9788806382407
Format files: PDF
The size of the: 8.92 MB
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Loaded: 1790 times
Reader ratings: 5.4
The author of the book: Tennessee Williams
Date of issue: 1973
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Siamo a New Orleans (in quel Sud che è caratteristico dell'ambientazione delle commedie di Williams) ed i temi che il dramma agita sono ancora una volta quelli del sesso e della violenza. Qui come altrove, al centro della partitura teatrale, è la figura di donna, alcoolizzata, ninfomane sino alla demenza. Un altro notevole commediografo americano, Arthur Miller, ha rimproverato a Williams di non immergere i suoi personaggi in un concreto tessuto di circostanze storiche. Egli non ha inteso che il Sud favoloso e mitico dell'autore è il luogo in cui l'uomo contemporaneo celebra la sua decadenza e la sua fine. I giovani inquieti e malati di Williams, le sue donne perdute, che tentano di ritrovare se stesse attraverso un disperato ritorno ad uno stato materno, sono le figure-simbolo di una tragedia che non è solo dell'America d'oggi. La commedia fu allestita la prima volta a New York il 3 dicembre 1947 per la regia di Elia Kazan, interpreti Marlon Brando, Karl Malden e Kim Hunter.
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Read information about the authorThomas Lanier Williams III, better known by the nickname Tennessee Williams, was a major American playwright of the twentieth century who received many of the top theatrical awards for his work. He moved to New Orleans in 1939 and changed his name to "Tennessee," the state of his father's birth. He won the Pulitzer Prize for Drama for A Streetcar Named Desire in 1948 and for Cat on a Hot Tin Roof in 1955. In addition, The Glass Menagerie (1945) and The Night of the Iguana (1961) received New York Drama Critics' Circle Awards. His 1952 play The Rose Tattoo (dedicated to his lover, Frank Merlo), received the Tony Award for best play.
Characters in his plays are often seen as representations of his family members. Laura Wingfield in The Glass Menagerie was understood to be modeled on Rose. Some biographers believed that the character of Blanche DuBois in A Streetcar Named Desire is also based on her.
Amanda Wingfield in The Glass Menagerie was generally seen to represent Williams' mother, Edwina. Characters such as Tom Wingfield in The Glass Menagerie and Sebastian in Suddenly, Last Summer were understood to represent Williams himself. In addition, he used a lobotomy operation as a motif in Suddenly, Last Summer.
The Pulitzer Prize for Drama was awarded to A Streetcar Named Desire in 1948 and to Cat on a Hot Tin Roof in 1955. These two plays were later filmed, with great success, by noted directors Elia Kazan (Streetcar) with whom Williams developed a very close artistic relationship, and Richard Brooks (Cat). Both plays included references to elements of Williams' life such as homosexuality, mental instability, and alcoholism. Although The Flowering Peach by Clifford Odets was the preferred choice of the Pulitzer Prize jury in 1955 and Cat on a Hot Tin Roof was at first considered the weakest of the five shortlisted nominees, Joseph Pulitzer Jr., chairman of the Board, had seen Cat on a Hot Tin Roof and thought it worthy of the drama prize. The Board went along with him after considerable discussion.
Williams wrote The Parade, or Approaching the End of a Summer when he was 29 and worked on it sporadically throughout his life. A semi-autobiographical depiction of his 1940 romance with Kip Kiernan in Provincetown, Massachusetts, it was produced for the first time on October 1, 2006 in Provincetown by the Shakespeare on the Cape production company, as part of the First Annual Provincetown Tennessee Williams Festival.
Other works by Williams include Camino Real and Sweet Bird of Youth.
His last play went through many drafts as he was trying to reconcile what would be the end of his life. There are many versions of it, but it is referred to as In Masks Outrageous and Austere.
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